But even after that, there’s a lot of work to be done. So, we asked Jordan to walk us through the design process, especially how he captured the particular colours, shapes, and opacity of each mineral.
“Each of the minerals required a slightly different approach,” he says. “It was a challenge to figure out how they would all come together cohesively while also being structurally stable, accurate in colour and shape, and fun to build.”
Gradually, however, the minerals began to take shape. But this set isn’t just about capturing the shape and geometry of the geology; it’s also about capturing the bright and distinctive colours.
“We had to figure out the right colours to layer on each other to create new subtle tones,” Jordan says. “The Tourmaline proved difficult to build without creating a new brick, so we did, and it has so many uses beyond this product that it’s a fascinating piece to bring to our portfolio.”
Sure is. With all this work, we wanted to know if the final design changed much from the fan submission.
“Comparing these minerals to Dario’s original submission, we changed one completely and tweaked the others,” Jordan says. “Dario had tourmaline, but it was a very black and white build which wouldn’t stand out as much on our black packaging, so we wanted to bring some more colour and went with watermelon tourmaline, which has this beautiful gradient of pink to green. As we then had a green tone covered, we decided to switch out emerald for fluorite to allow for a bluer tone to stand out, and fluorite was one of the minerals that could be almost entirely transparent. Layering the teals and purples under the transparent blue made for a beautiful tone, while some new angular bricks made for a dynamic shape.”